































Mandala Installations made from indigenous materials, to be used by the audience for walking meditation practice.
Mandala Installations made from indigenous materials, to be used by the audience for walking meditation practice.
Wish Mandala with Wish Flags, 1 of 5
Wish Mandala with Wish flags was created at the Annmarie Sculpture Garden, Dowell, MD. I asked visitors to create flags with their wishes. 830 people participated over 6 weeks. I used their flags as elements of the installation to create a stage like atmosphere within the forest grove.
Wish Mandala with Wish Flags, 2 of 5
Annmarie Sculpture Garden, Dowell, MD
Mandala is about 20' diameter
Wish Mandala with Wish Flags, 3 of 5
Egg
is about 20"
Found natural objects reflect the locality.
Wish Mandal with Wish Flags, 4 of 5
Pine cones and Sweetgum tree (Liquidambar styraciflua) seed balls were everywhere on this Chesapeake Bay peninsula.
Wish Mandala with Wish Flags, 5 of 5
View from the south gate.
830 people enjoyed making their flags.
Wetland Mandala, 1 of 5
Wetland Mandala aims to gain transcendence through walking meditation. Mandalas give the participant a focal point to sense the interconnection of the universe and feel alive from within.
Wetland Mandala, 2 of 5
Wetland Mandala was created at Espy Foundation, Oysterville, Washington
Woodland Mandala, 3 of 5
The guests practicing walking meditation. The Mandala gives the participants a focal point to have a connection to the land, therefore to the universe.
Wetland Mandala, 4 of 5
Found object materials were chosen to represent the locality. In the case of the Wetland Mandala, oyster shells, lichens, symplocarpus foetidus (Skunk cabbage or skunk flower),and birch trees were abundant.
Wetland Mandala, 5 of 5
Another image of a participant practicing walking meditation on the piece.
Woodland Mandala, 1 of 5
I-park, East Haddam, Connecticut
Woodland Mandala, 2 of 5
People practicing walking meditation
Woodland Mandala 3 of 5
All materials were collected on site to reflect the location.
Woodland Mandala 4 of 5
various wood, rocks, sand, lichen
20' x 20'
Woodland Mandala 5 of 5
Overview
Bird's Nest Mandala, 1 of 5
Cornucopia Art Center
Lanesboro, Minesota
Bird's Nest Mandala, 2 of 5
Various wood, leaves, rocks, pebbles,
15' x 15'
Bird's nest Mandala, 3 of 5
Cardinal red twig dogwood bush, (Cornus sericea ‘Cardinal’)
was abundance in this southern Minnesota location. Rocks were collected from a river bed that goes through the site.
Bird's Nest Mandala, 4 of 5
The mandala was assembled from indigenous plants and stones.
Bird's Nest Mandala, 5 of 5
Various wood, leaves, leaves, rocks, and pebbles.
Mandala Room, 1 of 5
Bemis Creative Art Center, Omaha, Nebraska
Mandala Room, 2 of 5
The Mandala is surrounded by large scale paintings that create a consecrated atmosphere in the space.
Mandala Room, 3 of 5
There are folded pieces of paper containing the words of Buddha under small glass blocks. The glass blocks were found in the warehouse space of the Bemis Art Center, one of the more unusual "indigenous materials".
Mandala Room, 4 of 5
The audience practices walking meditation inside of the mandala and drop flower petals on the mandala. The participants retrieve a message from where their flower petal lands.
Mandala Room, 5 of 5
Back side view facing towards the entrance area
Soul Reflector, 1 of 5
Djerassi Resident Artists Program, Woodside, CA
Sould Reflector, 2 of 5
This interactive Mandala installation encourages audiences to reflect on and refresh their soul.
Soul Reflector, 3 of 5
Participants perform walking meditation first, and then practice a self purification ceremony.
Sould Reflector, 4 of 5
various
woods
18' x 18'
Soul Reflector, 5 of 5
Self purification ceremony; Sprinkling drops of honey and milk, the symbol of body and soul, to four directions by flicking the feather of an eagle.
Mandala PRAY-formance
At the Bali Sprit Festival, Bali, Indonesia
watch the video > click here
Pray-formance Version 2
At the Social Engaged Buddhist Conference, Montague, MA
I took the role of a monk and performed a mind transformation ritual.
Pray - Formance version 2 set
Temporary mandala installation for Pray-fomance 2
paper ,silk flowers
10' x 10'
Frozen Creek Mandala 1 of 5 (Day)
@ Jentel residency in Wyoming. This piece was made with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.
Frozen Creek Mandala 2 of 5 (Day)
@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.
Frozen Creek Mandala 3 of 5 (Day)
@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.
Frozen Creek Mandala 4 of 5 (at dusk)
@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.
Frozen Creek Mandala 5 of 5 (Night)
@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.