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Paintings & Installations by Jun'ichirö Ishida

Art works by Jun Ishida
Brooklyn, NY 11217
(646)339-6988
junichiroishida.com is the official site of the artist, Jun'ichirö Ishida

Paintings & Installations by Jun'ichirö Ishida

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Wish Mandala with Wish Flags, 1 of 5

Mandala Installations

Mandala Installations made from indigenous materials, to be used by the audience for walking meditation practice.

Mandala Installations

Mandala Installations made from indigenous materials, to be used by the audience for walking meditation practice.

Wish Mandala with Wish Flags, 1 of 5

Wish Mandala with Wish Flags, 1 of 5

Wish Mandala with Wish flags was created at the Annmarie Sculpture Garden, Dowell, MD. I asked visitors to create flags with their wishes. 830 people participated over 6 weeks. I used their flags as elements of the installation to create a stage like atmosphere within the forest grove.

Wish Mandala with Wish Flags, 2 of 5

Wish Mandala with Wish Flags, 2 of 5

Annmarie Sculpture Garden, Dowell, MD
Mandala  is about 20' diameter

Wish Mandala with Wish Flags, 3 of 5

Wish Mandala with Wish Flags, 3 of 5

​Egg is about 20" 
Found natural objects reflect the locality.

Wish Mandal with Wish Flags, 4 of 5

Wish Mandal with Wish Flags, 4 of 5

​Pine cones and Sweetgum tree (Liquidambar styraciflua) seed balls were everywhere on this Chesapeake Bay peninsula.

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Wish Mandala with Wish Flags, 5 of 5

Wish Mandala with Wish Flags, 5 of 5

​View from the south gate.
830 people enjoyed making their flags.

Wetland Mandala, 1 of 5

Wetland Mandala, 1 of 5

Wetland Mandala aims to gain transcendence through walking meditation. Mandalas give the participant a focal point to sense the interconnection of the universe and feel alive from within.

Wetland Mandala, 2 of 5

Wetland Mandala, 2 of 5

​Wetland Mandala was created at Espy Foundation, Oysterville, Washington

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Woodland Mandala, 3 of 5

Woodland Mandala, 3 of 5

​The guests practicing walking meditation. The Mandala gives the participants a focal point to have a connection to the land, therefore to the universe. 

Wetland Mandala, 4 of 5

Wetland Mandala, 4 of 5

​Found object materials were chosen to represent the locality. In the case of the Wetland Mandala, oyster shells, lichens, symplocarpus foetidus (Skunk cabbage or skunk flower),and  birch trees were abundant.


​

Wetland Mandala, 5 of 5

Wetland Mandala, 5 of 5

​Another image of a participant practicing walking meditation on the piece. 

Woodland Mandala, 1 of 5

Woodland Mandala, 1 of 5

I-park, East Haddam, Connecticut

Woodland Mandala, 2 of 5

Woodland Mandala, 2 of 5

​People practicing walking meditation

Woodland Mandala 3 of 5

Woodland Mandala 3 of 5

All  materials were ​collected on site to reflect the location.

Woodland Mandala 4 of 5

Woodland Mandala 4 of 5

various wood, rocks, sand, lichen
​20' x 20'

Woodland Mandala 5 of 5

Woodland Mandala 5 of 5

​Overview

Bird's Nest Mandala, 1 of 5

Bird's Nest Mandala, 1 of 5

Cornucopia Art Center
Lanesboro, Minesota

Bird's Nest Mandala, 2 of 5

Bird's Nest Mandala, 2 of 5

Various wood, leaves, rocks, pebbles, 
15' x 15'

Bird's nest Mandala, 3 of 5

Bird's nest Mandala, 3 of 5

Cardinal ​red twig dogwood bush,  (Cornus sericea ‘Cardinal’)
was abundance in this southern Minnesota location. Rocks were collected from a river bed that goes through the site. 

​

Bird's Nest Mandala, 4 of 5

Bird's Nest Mandala, 4 of 5

The mandala was assembled from indigenous plants and stones.

Bird's Nest Mandala, 5 of 5

Bird's Nest Mandala, 5 of 5

Various wood, leaves, leaves, rocks, and pebbles.

Mandala Room, 1 of 5

Mandala Room, 1 of 5

Bemis Creative Art Center, Omaha, Nebraska

Mandala Room, 2 of 5

Mandala Room, 2 of 5

The Mandala is surrounded by large scale paintings that create a consecrated atmosphere in the space.

Mandala Room, 3 of 5

Mandala Room, 3 of 5

There are folded pieces of paper containing the words of Buddha under small glass blocks. The glass blocks were found in the warehouse space of the Bemis Art Center, one of the more unusual "indigenous materials".

Mandala Room, 4 of 5

Mandala Room, 4 of 5

The audience practices walking meditation inside of the mandala and drop flower petals on the mandala.  The participants retrieve a message from where their flower petal lands. 

Mandala Room, 5 of 5

Mandala Room, 5 of 5

Back side ​view facing towards the entrance area

Soul Reflector, 1 of 5

Soul Reflector, 1 of 5

Djerassi  Resident Artists Program, Woodside, CA

Sould Reflector, 2 of 5

Sould Reflector, 2 of 5

This interactive Mandala installation encourages audiences to reflect on  and refresh their soul. 

Soul Reflector, 3 of 5

Soul Reflector, 3 of 5

Participants perform walking meditation first, and then practice a self purification ceremony.

Sould Reflector, 4 of 5

Sould Reflector, 4 of 5

​various woods
18' x 18'

Soul Reflector, 5 of 5

Soul Reflector, 5 of 5

Self purification ceremony; Sprinkling drops of honey and milk, the symbol of body and soul, to four directions by flicking the feather of an eagle.

Mandala PRAY-formance

Mandala PRAY-formance

At the Bali Sprit Festival, Bali, Indonesia
watch the video >  click here

Pray-formance Version 2

Pray-formance Version 2

At the Social Engaged Buddhist Conference, Montague, MA
 I took the role of a monk and performed a mind transformation ritual.

Pray - Formance version 2 set

Pray - Formance version 2 set

Temporary mandala installation for Pray-fomance 2
paper ,silk flowers
10' x 10'

Frozen Creek Mandala 1 of 5 (Day)

Frozen Creek Mandala 1 of 5 (Day)

@ Jentel residency in Wyoming. This piece was made with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.

Frozen Creek Mandala 2 of 5 (Day)

Frozen Creek Mandala 2 of 5 (Day)

@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.

Frozen Creek Mandala 3 of 5 (Day)

Frozen Creek Mandala 3 of 5 (Day)

@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.

Frozen Creek Mandala 4 of 5 (at dusk)

Frozen Creek Mandala 4 of 5 (at dusk)

@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.

Frozen Creek Mandala 5 of 5 (Night)

Frozen Creek Mandala 5 of 5 (Night)

@ Jentel Residency Wyoming
This piece was made (unlike the Wish Mandala), with the most minimalist approach. I carefully scouted the location, and chose the material with a focus on impermanence. At the end it was just ice accented with candles. The effect on the viewers reflected the quiet and austere way in which I fashioned the work, mainly by simply sweeping the surface of the frozen creek.